Fog and whisky https://validator.w3.org/feed/docs/rss2.html Jules Verne imagined a better future, but not what made it worth imagining A blog of fog and whisky (and airships) Subscribe for updates Why am I afraid to write THE END? Worldbuilding: walking an airship’s deck boards The shocking biochemistry underpinning “show don’t tell” The importance of theme: what your story’s (really) about? Big Friendly Killbots How to write a book: one sentence a day Worldbuilding: back to the map Worldbuilding: navigation The Archipelago Worldbuilding: How to sail an airship “Show don’t tell” is about revealing hidden truth Worldbuilding: how to launch an airship Wordcraft and worldcraft Fog and whisky…and airships Naturalistic fantasy: a light touch for weighty tales A Philosophy of Air: airships and epic adventure How to crew an airship Naturalistic fantasy: a light touch for weighty tales How to make scenes work harder, part II The Sursus How to make scenes work harder, part I Show some spine: the problem with Black Mirror “Bête Noire” The End: a great place to begin your novel Big Friendly Killbots Extreme plotting! The magic of plotter-oriented writing Opening Image/Final Image: how to fulfill your arc Where I’m coming from… Manifesto for the world famous tour guide Bike with me in San Francisco! How to make the inevitable surprising Devil’s eggs? Fascinating links in a San Francisco classic Pump up contrast! Stories (and people) love variety Airships: our unlikely conquest of the skies Inspiration: wonderful and uplifting magic How to create subscenes in Scrivener Crossing the chasm: a leap of faith with your audience Storyboard: How to make your story beats easy to map Anchor Beats: 5 big moments in a story’s life Lonely Girl: a prototype of air Research: better results through (of all things) effort Rootl: challenge yourself to find the hidden meaning Prototype: a surprising route to a story’s best destiny My #viewfromtheoffice: a photo essay Stuck: how to break free when your story snags Drawbridge, CA: A Ghost In Our Midst Evolving desire: can objective change mid-scene? It’s harder to be the good guy